Type | List | Author | Title [further info] | Series | Vol | No | Year | Pages | Status |
| 1. | W., S. | Wien (Drittes Gesellschaftsconcert -- Siebentes und achtes Concert der Philharmoniker). Berichte. Nachrichten und Bemerkungen. [Drittes Gesellschaftsconcert: J. S. Bach, Cantate 'Christ lag in Todesbanden', Beethoven, Chor aus dem Festspiele 'Die Weihe des Hauses' (bisher ungedruckt), Haydn, Symphonie in C-dur; Johannes Brahms (Dirigent). Siebentes philharmonisches Concert: N. W. Gade, Symphonie in B-dur, Schubert, 'Trauermarsch' (instrumentirt von Liszt), Hermann Grädener, Capriccio für Orchester. Achtes philharmonisches Concert: Hr. Breitner, Herr Gustav Walter, Liszt, 'Mephisto-Walzer'] |
AllgMlZ(3) |
8 | 16 | 16 Apr 1873 |
252-254 |
|
| 2. | Miyazawa, Sosuke (ed.) | Nanki ongaku toshokan shozo kamingusu bunko ni tsuite. [On Cummings' collection in the Nanki Music Library] - Tokyo: Nanki Ongaku Toshokan, 1926. 80, 83p. [consists of articles by Kiyosuke Kanetsune on 'Ongaku ni kansuru Chosho oyobi Gakki no Fu ni tsuite' (On the literature and printed music) and Shoichi Tsuji on 'Seigakukyokufu ni tsuite' (On printed music of vocal works)] |
[ce]NankiOngakuToshokan |
| | 1926 |
80, 83p |
|
| 3. | Tsugawa, Shuichi (ed.) | Orugan Dokuso Kyokushu / Bach Kyoku = Orgelwerke bear. für Harmonium / J. S. Bach. [Ed. Shuichi Tsugawa] - Tokyo: Kyokai Ongaku Sha, 1941 (Showa 16). (= Orugan Ongaku, no. 9) |
|
| | 1941 |
|
|
| 4. | Tokawa, Seiichi | Bach no Kyosokyoku Keishiki -- Brandenburg Kyosokyoku o Chushin ni. [Bach's concerto form - focusing on Brandenburg concertos] |
OngakuGaku |
2 | | Jan 1960 |
|
|
| 5. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni. [1] [Bach als Wegbereiter von Heinrich Besseler] |
OngakuGeijutsu |
19 | 11 | 1961 |
|
|
| 6. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -2-. [Bach als Wegbereiter von Heinrich Besseler, 2] |
OngakuGeijutsu |
20 | 2 | 1962 |
|
|
| 7. | Tokawa, Seiichi | Kaitakusha to shite no Bach -- Besseler no Kenkyu o Chushin ni -3(kan)-. [Bach als Wegbereiter von Heinrich Besseler, 3 (Schluß)] |
OngakuGeijutsu |
20 | 3 | 1962 |
|
|
| 8. | Tokawa, Seiichi | J.S. Bach no Orugan Koraru to sono Rekishiteki Ichi. [J.S. Bach's Organ Chorale and its historical position] |
OngakuGeijutsu |
20 | 4 | 1962 |
|
|
| 9. | Tokawa, Seiichi | Bach no Sakkyoku Nendai Kenkyu no Genjo to Mondai. [The present state and problems in the chronology of Bach's compositions] |
OngakuGaku |
8 | | Feb 1963 |
|
|
| 10. | Tokawa, Seiichi | Atarashii Bach Zo towa nani ka? [The New Bach: What is an 'Image'?] |
OngakuGeijutsu |
21 | 10 | 1963 |
6-13 |
|
| 11. | Tokawa, Seiichi | Bach no Parody ni tsuite -- Sakkyokuka Kenkyu. [On Bach's Parody] |
OngakuGeijutsu |
22 | 3 | 1964 |
10-13 |
|
| 12. | Tokawa, Seiichi | Ongakushi-jo no Bach. [Bach in the history of music] |
RekodoGeijutsu |
16 | 13 | 1967 |
244-247 |
|
| 13. | Lowe, Steven | Bach Collegium and Kantorei Stuttgart. Debuts & Reappearances. |
HiFiMAmer |
19 | 1 | Jan 1969 |
11f |
|
| 14. | Tokawa, Seiichi | Shin Bach Zenshu ni tsuite. |
TokyoGakugeiDaigakuKiyo |
2 | 24 | Feb 1973 |
35-45 |
|
| 15. | Tokawa, Seiichi | Bach no Ryuto Sakuhin o Megutte -- BWV 1006a no Jihitsufu ni hasshite. [On Bach's Lute music - a study on Bach's autograph of BWV 1006a] |
BulMusashinoAcadM |
10 | | 1976 |
27-63 |
|
| 16. | Town, Stephen | Sechs Lieder von Christian Fürchtegott Gellert (1715-1769) as set by Carl Philipp Emanuel Bach and Ludwig van Beethoven: a comparative analysis. |
NATSBul |
36 | 5 | 1980 |
30-36 |
|
| 17. | Tokawa, Seiichi | Bach Kenkyu Noto. Sakkyoku Nendai o megutte. [Bach Research Notebook on the chronology of his compositions] Tokyo: Ongaku no tomo sha, 1981. 222p. ISBN: 4276222311. |
|
| | 1981 |
222p |
|
| 18. | Ishikawa, Shoji | Invention to Sinfonia. Gakushu e no Tebiki / Bach. [Bach. Inventions and Sinfonias. Edition and Commentary] Hiroshima: Keisuisha, 4/1982, 121p. [BWV 772-801] |
|
| | 1982 |
121p |
|
| 19. | Tokawa, Seiichi | 'Fukkatsusai Oratorio' Osteroratorium 'Kommt, eilet und laufet' BWV 249 [Oratorio towa; Bach no Oratorio; Bach no Oratorio to Reihai; 'Fukkatsu Oratorio' no Hasseishi (What is oratorio?; Bach's Oratorio; Bach's Oratorio and Liturgy; Genesis of Easter Oratorio)] Kaisetsu [Commentary] |
BachAkadJapan |
| | 1984 |
56-61 |
|
| 20. | Tokawa, Seiichi | 'Manifikato' Ni-Chocho. Magnificat D dur BWV 243. [Manifikato towa; Manifikato to Reihai; Bach no Manifikato o megutte; 'Manifikato' Ni-Chocho (BWV 243) no Hasseishi (What is Magnificat?; Magnificat and Liturgy; On Bach's Magnificat; Genesis of the D-major Magnificat BWV 243)] Kaisetsu [Commentary] |
BachAkadJapan |
| | 1984 |
64-70 |
|
| 21. | Tokawa, Seiichi | Bach no 4tsu no 'Sho-Misakyoku' ni tsuite. [On Bach's 4 Missa Brevis.] Sosetsu: Akademie Conert de no 'Sho Misa Kyoku' no Rikai no tame ni 1 [General Commentary / Translation: for the understanding of 'Missa brevis' at the Academy Concert 1] |
BachAkadJapan |
| | 1984 |
86-89 |
|
| 22. | Sumikura, Ichiro; Tokawa, Seiichi | Bach no Shogai. [Bach's life] by Ichiro Sumikura (planning) and Seiichi Tokawa (essay) |
BessatsuTaiyo |
| | 1984 |
50-55, 58-61, 64-67, 70-73 |
|
| 23. | Sumikura, Ichiro; Tokawa, Seiichi; Higuchi, Ryuichi; Monma, Naomi | Bach o yomu. [Um Bach zu lesen... Ein Gespräch] |
[ce]Bach_no_subete |
| | 1985 |
116-129 |
|
| 24. | Higuchi, Ryuichi; Ichikawa, Shin'ichiro (eds.) | Bach no subete. Johann Sebastian Bach, Werk und Wirkung. [Everything on Bach] Tokyo, et.al.: Yomiuri-shinbun sha, 1986. viii, 174p. ISBN: 4643622202. (Suntry ongaku bunkaten '85 Bach seitan 300nen kinen) |
[ce]Bach_no_subete |
| | 1985 |
174p |
|
| 25. | Tokawa, Seiichi | Gendai no Bach Kenkyu -2- Atarashii Nendai Kenkyu to sonogo -- Kyokai Kantata o Chushin ni. [Modern Bach research -2- new chronology research and aftermath - viewing from church cantatas.] |
OngakuGeijutsu |
43 | 4 | 1985 |
90-99 |
|
| 26. | Ichikawa, Shin'ichiro | Gendai no Bach Kenkyu -10- Bach Enso no Chihei to Tenbo. [Modern Bach research -10- The horizon and prospect of Bach performances] |
OngakuGeijutsu |
43 | 12 | 1985 |
79-86 |
|
| 27. | Town, Stephen | Toward an understanding of fugue and fugato in the Masses of Joseph Haydn. |
JMcolResearch |
6 | 4 | 1986 |
311-351 |
|
| 28. | Ichikawa, Shin'ichiro | Bach to Vivaldi. [Bach and Vivaldi] |
BCJ |
| 2 | Jul 1992 |
|
|
| 29. | Town, Stephen | Mendelssohn's Lobgesang: A fusion of forms and textures. |
ChoralJ |
33 | 4 | Nov 1992 |
19-26 |
|
| 30. | Sunagawa, Shigehisa | Noboritsumetara Dai-Bach. [At the acme was the Great Bach] Tokyo: Tokyo Shoseki, 1993. 149p. ISBN: 4487753856. |
|
| | 1993 |
149p |
|
| 31. | Ichikawa, Shin'ichiro | Bach o torimaku Kenbangakki. Pictorial J. S. Bach. [Keyboard instruments surrounding Bach] |
BachZenshu |
11 | | Jul 1996 |
101-108 |
|
| 32. | Tokawa, Seiichi | Bach to 'Heikinritsu'. [Bach and '(equal) temperament'] |
BachZenshu |
12 | | Jul 1998 |
28-49 |
|
| 33. | Chentowa, Sofia | Bach und Schostakowitsch. |
MgesMittOstEurop |
5 | | 1999 |
85-98 |
|
| 34. | Brown, Sebastian | Well-Tempered Integrations: A new approach to prelude-fugue relationship. |
PianoJ |
20 | 58 | Spring 1999 |
10-12 |
|
| 35. | Tokawa, Seiichi | Kogaku no Onritsu. Tokyo: Shunju sha, 2001. 288p. ISBN: 4393930142. |
|
| | 2001 |
288p |
|
| 36. | Tokawa, Seiichi | Ongakuka no Jijoden: Quantz, Benda, E. Bach, Czerny. [Autobiography of musicians: Quantz, Benda, E. Bach, Czerny; trans. from DocumentaMcol i/19: Charles Burney, Tagebuch einer musikalischen Reise, S.198-209] Tokyo: Shunju sha, 2003. 252p. ISBN: 4-393-93164-5; 978-4-393-93164-6. |
|
| | 2003 |
252p |
|
| 37. | Itô, Seiko; Koiwa, Shinji | Aspekte der Bach-Rezeption in Japan. |
[ce]BeitrBReception1945-2005 |
| | 2007 |
35-58 |
|
| 38. | Tokawa, Seiichi | Taiiho no Hendo; Shin-Ongaku no Taido: Renaissance kara Baroque e Tenkanki no Ongaku Riron. [Changes in counterpoint; the emergence of new music: music theory in transition from Renaissance to Baroque] Tokyo: Shunju sha, 2008. 256p. ISBN: 978-4-393-93024-3. |
|
| | 2008 |
256p |
|
| 39. | Tokawa, Seiichi | Senpo-ron. Gakuri no Kenkyu. [On Church Modes - A Study of Music Theory] Tokyo: Shunju sha, 2010. 174p. ISBN: 4393930266; 978-4393930267. |
|
| | 2010 |
174p |
|
| 40. | Marlowe, Sarah Rose | Fugue in context: a Schenkerian approach to select works by J. S. Bach and Dmitri Shostakovich. PhD diss., University of Rochester, 2013. xiv, 199p. |
diss. |
| | 2013 |
xiv, 199p |
|
| 41. | Marlowe, Sarah | A Taxonomy for Teaching Music Theory: J. S. Bach and Lessons in Invertible Counterpoint. Roundtable: Bach in the Music Theory Classroom |
Bach |
49 | 2 | 2018 |
365-387 |
|